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In this article the author considers the concept of love in the work of the Russian poet L. Martynov. Love, represented in the poet’s lyrics, is viewed both as mutual tenderness, and as energy of struggle and action, which is valued above rest and tenderness. The author’s concept of love implies the exit of lovers from a vicious circle.

The phenomenon of censorship is often associated with Chinese literature. Indeed, all works that are planned for publishing, are subjected to control. This article is devoted to the study of the extent to which censorship affects the linguistic side of the issue and, in particular, the possibility of using peculiar elements of colloquial style. Furthermore, the article also considers the events of the XX century, which became the reason for a greater extent of stylization of the mentioned functional style elements in Chinese literature.