List of publications on a keyword: «creative process»

The article discusses the principles of interdisciplinary relations required to train the students of "Management in business of design", who specialize in the fashion industry. A description of a tested methodology of a design project on research and definition of the "DNA of fashion brands" is provided. The article substantiates the application of the project method in business education and design education, which has established itself as effective in training future specialists at different levels of professional training. This method provides the opportunity to integrate students into the creative process and motivate them to solve unconventional problems. Working on this project in a group allows students to acquire teamwork skills and get acquainted with the functioning of global manufacturers of clothing and accessories. The result of the project is a presentation in which all stages of research, analytical process.

The article deals with the development and use of new educational technologies for the training of fashion designers. The article describes the innovative author's development of training in clothing design. The advantage of this method for motivation and formation of professional competencies is proved. As well as creating a high-quality educational environment directed at developing the creative abilities of students and their motivation to apply the results in practical project activities.

This methodological guidebook is based on the observations and pedagogical experience of the author. This experience is summed up and as a consequence, the theory of possible landscape painting tasks from one view is presented in axiomatic way. The possibilities of 960 and more tasks’ acting from one view during plein air is proved and at the same time not obligated which will be greatly helpful for lecturers of plein air practice for organizing their work more effectively.

The article deals with the classification system of arts by American analytical philosopher Nelson Goodman. His concept of the dividing of the art-world into two types of art: «allographic» and «autographic» arts is strongly problematic. The author proves that an empirical distinction between the types of art does not negate the profound unity of the artistic world. In the arts, a variety of the material embodiment of artistic images, does not deny their common genetic code of the creative process.

However, these studies do not take into account the specificityof innovation process, which includes a significant creative component, but view it together with the rest of group activities. We have found and described these differences, provided evidences of positive impact of conflicts on the innovation process and developed a package of measures to improve the creative process in groups.