List of publications on a keyword: «artistic text»

The article examines the phenomenon of the interpretation of a literary text, taking into account the proper linguistic and linguodidactic aspects. This problem area acquires special significance at the stage of the formation of a linguistic personality and its linguocultural identification. This is largely because the ability to interpret the text ensures the development of at least the cognitive base and the centre of the cultural space in a particular linguoculture. The article clarifies the status of agnonyms as a class of units and the specifics of their functioning in a literary text, offering a comprehensive classification of units of this class.

The article considers a class of special linguistic units-agnonyms, their interpretative specificity in a artistic text. The phenomenon of text interpretation and agnonyms in the linguodidactic aspect are analyzed, the directions of research of this problem area that are significant for linguodidactics are determined.

The article is devoted to the study of precedent name in Russian-language media texts on the example of the story of M.A. Bulgakov "A Dog's Heart." The purpose of this study is to determine the implementation features of the precedent name Professor Preobrazhensky in the Russian-language media discourse. The study was conducted on the basis of journalistic texts of the National Corps of the Russian language. In classification and generalization of the material, the following methods were used: descriptive, lexicographical, interpretative, methods of component and contextual analysis, method of controlled selection. An analysis of practical material showed that the authors of journalistic texts resort to the use of precedent names in order to create a figurative characterization of a particular person or a description of a specific situation. Appeal to the personality of Professor Preobrazhensky helps the journalist influence emotionally the addressee and stimulates the reader to use his own erudition and background knowledge.

In this monograph the journalistic works of W. Scott, which are by themselves and in relation to the literary and artistic (non-journalistic) creativity of this author, are an adequate object space for developing humanitarian and philological concepts, including the theoretical and linguistic concepts, such as «substance/essential meaning» are analyzed. The author focuses on complementarities of W. Scott’s social and political journalism and literary images in his heritage, evidenced by the explored material.