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Философия

Publication date: 14.03.2017
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Anna V. Konstantinova
Omsk Branch of FSBEI of HE "Financial University under the Government of the Russian Federation" , Омская обл

«World outlook aspects of problems of science»

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The article explores the world outlook perspective of science as a part of culture of society, characterizes the main content of functions of science during globalization of states and peoples. The anti-chaos maintenance of science is estimated by its primary sign.

Publication date: 10.03.2017
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Igor V. Cherepanov , candidate of philosophical sciences
FSBEI of HE "Novosibirsk State Technical University" , Новосибирская обл

«Information filters of consciousness»

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The article analyzes ways of encoding mental experience in language structures, examines the effect of information filters of consciousness that starts the process of substitution of intentional subject-of-interest and distortion of the represented experience. The author introduces two dimensions of symbolic representation, describes four types of relationships between representing and represented. According to the analysis the essence of consciousness is a psi mechanism distinguishing representing from represented.

Publication date: 14.03.2017
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Gennady V. Baranov , doctor of philosophical sciences , professor
Omsk Branch of FSBEI of HE "Financial University under the Government of the Russian Federation" , Омская обл

«Ethical principles of scientific communication»

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The article presents the principles of ethical management of scientific communication. The author approves the priority of ethical principle of social responsibility of the scientist.

Publication date: 13.03.2017
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Vadim V. Prozersky
Institute of Philosophy FSBEI of HE "Saint-Petersburg State University" , Санкт-Петербург г

«Classification system of arts in Nelson Goodman aesthetics and the problem of the unity of the art world»

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The article deals with the classification system of arts by American analytical philosopher Nelson Goodman. His concept of the dividing of the art-world into two types of art: «allographic» and «autographic» arts is strongly problematic. The author proves that an empirical distinction between the types of art does not negate the profound unity of the artistic world. In the arts, a variety of the material embodiment of artistic images, does not deny their common genetic code of the creative process.