Petrov-Vodkin K.: paradoxes of the totalitarian taste
Research Article
DOI: 10.21661/r-113111
Open Access
- Published in:
- Monthly International Academic Journal «Interactive science»
- Authors:
- Klimov V.P. 1 , Klimova G.P. 2
- Work direction:
- Культурология и искусствоведение
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- eLibrary.ru
1 FSAEI of HE "Russian State Vocational Pedagogical University"
2 FSBEI of HE "Ural State University of Architecture and Art"
2 FSBEI of HE "Ural State University of Architecture and Art"
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For citation:
Klimov V. P., & Klimova G. P. (2016). Petrov-Vodkin K.: paradoxes of the totalitarian taste. Interactive science, 10-12. https://doi.org/10.21661/r-113111
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UDC 7
DOI: 10.21661/r-113111
Abstract
In our research we have to open the contents of aesthetic taste. It is determined historically and connected to the various political, ideological and religious sides of life a society. The concept of taste reflects the metaphysics maintained by culture. Totalitarian taste – derivative the totalitarian state. Propagation of optimism, flatter realism, photographic concreteness, staging of official ceremonies, and private life has transformed art of this time into a mix of a forgery with heroism, that equally forged culture of people, and also had destructive effect on an aesthetics and ethics of the silent majority. In papers we attempt to determine the basic attributes of totalitarian taste is made within the framework of aesthetic interpretation of creativity of the Russian artist of the beginning of XX century – K.S.Petrov-Vodkin.
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