in the article features of unauthorized artistic activity in street space. The author examines the motivation, pushing artists to create illegal projects in the social environment. Thoroughly investigate illegal forms of contemporary art in the urban area. The distinctive features of conceptual illegal art in the context of commercialized social and cultural situation of the modern city.
автор статьи исследует вопросы схожести монументально-декоративной живописи и граффити. Изучив актуальные искусствоведческие источники, рассмотрев типичные примеры, исследователь приводит ряд формальных сходств и принципиальных отличий исследуемых форм искусства. В результате было сделано заключение: термином «граффити» нельзя обозначать вид или направление искусства, это ряд техник исполнения, которые используются в том числе художниками-монументалистами.
today there is the full-scale study of the situation prevailing in the modern monumental painting in the Russian Federation. The author investigates the current projects of contemporary muralists. Readers will be able to get acquainted with the projects implemented by Merited artist of Russia Svetlana Ponomarenko (Savina).
the article deals with the review of the first years of the Department of Monumental and Decorative Painting of «St.Petersburg Stieglitz State Academy of Art’s and Design» (Mukhina Leningrad Higher Arts and Crafts College). Education, realized projects of teachers, masters and technologists, who were invited to work first at the department, are studied. The origins of features formation in the approach to the muralists training at the department as a model of the original «school» are being considered.
