List of publications on a keyword: «symbol»

The article is devoted to identifying the points of contact between primitive and modern cultures. The subject matter is based on the theory and practice of artistic creativity, its origins and aesthetic potential. The article reveals the degree of influence of the figurative-semantic and symbolic content of primitive and traditional culture on modern artistic creativity: on stylistic, formal techniques, themes, images; in General, on artistic thinking.

The article considers the scope of legal symbolism in relation to the modern needs of society and the state. The research methods used in this article included general methods of cognition, as well as special methods used in the field of law, including interpretation of the law and comparative analysis. The obtained results can be used for informative, methodical and educational purposes.

The article is devoted to the features of legal symbols use in the Russian Federation, special attention is paid to the requirements established for legal symbols, as well as the existing problems of legal symbols practical use are defined in the article.

The article is devoted to the study of the emergence of the concept of «symbol» in Russian culture of the XVIII century. The idea of introducing symbols into the culture, allowed not only the extollment of the secular over the religious, but also the strengthening of the right to power. Appealing to the book «Symbols and Emblemata» allows us to consider the ideas of Peter the First in the framework of cultural discourse.

The purpose of this article is to examine the phenomenon of sound metaphor manifested in the best way in poetic texts and the most consciously used within symbolism as an art movement; and to identify the semiotic structure of the poem «Langueur» by P. Verlaine as well. In order to achieve this purpose, a linguo-semiotic analysis is undertaken which solves the following tasks: identification of the semiotic techniques used by the poet, and the subsequent interpretation of the poem.

The article describes the Valery Bryusov’s activity in «Vesy» magazine as a translator and critic of the French poet-symbolist Paul Verlaine. Paul Verlaine’s poetry has had an important impact on the Russian symbolism development.

This article analyses the main elements of Cesare Pavese’s poetics, an Italian writer of XX century. It is focused on the fundamental theme of festivity as a collective ritual of the mythical, sacral initiation.

The article analyzes ways of encoding mental experience in language structures, examines the effect of information filters of consciousness that starts the process of substitution of intentional subject-of-interest and distortion of the represented experience. The author introduces two dimensions of symbolic representation, describes four types of relationships between representing and represented. According to the analysis the essence of consciousness is a psi mechanism distinguishing representing from represented.

The article deals with the classification system of arts by American analytical philosopher Nelson Goodman. His concept of the dividing of the art-world into two types of art: «allographic» and «autographic» arts is strongly problematic. The author proves that an empirical distinction between the types of art does not negate the profound unity of the artistic world. In the arts, a variety of the material embodiment of artistic images, does not deny their common genetic code of the creative process.

The article deals with the role of imagery-aesthetic and mythical origins of binary-dyadic structure in modern lyrics. Taking the findings and conclusions of theoretical scientists, the author analyzes the ways which are used for depicting the clash of controversial feelings of the lyrical character and the split of his inner world. By means of text comparisons there is research made into the display of mythical knowledge in the system of poetic thinking of the dyad, the structure of binary opposition in poetry and conclusions are drawn.

The work is devoted to the misericords - architectural details of a Catholic church. The article deals with the origin of Misericordia, their aesthetic and practical value, as well as different approaches to the interpretation of their images.